wonder woman?????????

Yes it was a bombshell.

That hot chic from Fast and Furious is going to play Wonder Woman in the DC Cinematic Universe.

That girl whose biggest contribution to cinema so far is the bikini scene in Fast Five.

So is it genius or have WB made their biggest cock-up since casting Ben Affleck as Batman??? (jokes he’ll be good)

Gadot is set to appear as Princess Diana of Themiscyra in Zack Snyder’s Batman/Superman. It will be her second big screen outing after the Cobie Smulders voiced incarnation in The LEGO Movie.

Wonder Woman for the uninitiated is a central member of the Justice League as well a a pop-culture legend. An Amazon princess of the island of Themiscyra, Wonder Woman becomes a scantily clad superhero and fights crime with the Justice League using her famous lasso of truth, indestructible bracelets, and a boomerang tiara. In a 70’s TV show she was famously portrayed by Lynda Carter. Strangely however she has never made it to the big scree n despite the best efforts of Joss Whedon who later orchestrated the Marvel Cinematic Universe. She goes by the alter-ego Diana Prince and is considered by many to be a feminist icon.

The reactions have been varied to the announcement. Gal Who? is one of the most prominent although my reply to that would be who else? The only other name that actually got me excited was Jamie Alexander. The mentions of Olga Kurylenko among others were underwhelming.

So we begin with problem one – her size. The muscles on the comic book version are fairly unattainable. And despite the fact that perhaps Alexander and Kurylenko could have added more of a frame to Wonder Woman, we have to be realistic. Gal Gadot weighs in around 95 pounds she’s no heavyweight but I’m confident she can add the necessary touches to her physique in order to appear lithe and acrobatic. The thing is that the amount of work needed to attain the comic book physique cannot be achieved naturally. Naysayers must consider the fact Diana is something of a demigoddess in the comics and her physique is not human – it is illogical therefore to expect Gadot to mirror this frame.

My more pressing concern is her credibility as an actress. Forgive me but her Fast and Furious role while pretty kick-ass has no extraordinary acting demands. I am no sexist but her role verges on eye-candy. Gadot is a former Miss Israel, and obviously has the exotic good looks, but her film credits speak for themselves. This will be her first leading role – well maybe not in this film but certainly later on. Snyder and co. have not been averse to controversial decisions such as neck-braking and ‘Batffleck’ but both times I feel they have made the right choice. Gal Gadot must have done something pretty amazing in auditions to get this role and the confidence of the Batman/Superman team.

Wonder Woman is a very vaguely defined character who has undergone a lot more change than her male counterparts. This is a bonus for Gadot and Snyder who have a creative license to thresh out the character, her origins, her motivation. Diana is malleable enough to be hammered to fit Gadot, rather than the situation Ben Affleck finds himself in, fitting himself to the much more well-known Batman identity.

It should work. Snyder is a good director and knows what he wants. In this case that was Gal Gadot. Her role is likely to be minimal because there is the threat of overcrowding the 2015 blockbuster. Maybe a bit more than a cameo but certainly not a lead. She could even be the catalyst for the much hyped Batman vs. Superman showdown. Easing the inexperienced young actress in, perhaps even keeping his options open as far as replacing her goes, this seems like a more sensible route.

The explanation Themiscyra gets will be interesting as Thor seems to have taken the easiest explanation. How she ends up in America is another explanation which is necessary.

God forbid, we may even get a Twilight-esque love triangle between Supes, Bats, and Diana.

Stroke of genius or epic fail, it remains to be seen. But for now Gal Gadot IS Wonder Woman – get over it!

The Hunger Games: Catching Fire (2013)

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Director: Francis Lawrence

Cast: Jennifer Lawrence, Josh Hutcherson, Sam Claflin, Liam Hemsworth, Elizabeth Banks, Lenny Kravitz, Donald Sutherland, Woody Harrelson, Phillip Seymour Hoffman

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Most sequel films are critically panned when they follow the same formula of the original, ala The Hangover. But in the case of Catching Fire, a near identical plot-line is employed, in keeping with the novel, yet it still feels wholly original. It is exciting, well-acted, and morally provocative. You really have to take a step back and marvel at the fact this film is aimed at teens. Sure the typical love triangle rears its head and a good few minutes is spent on a bit of snogging. But the gritty realism that shines through a quite frankly unrealistic situation is the mark of a film well made.

Katniss Everdeen (Lawrence) is struggling to overcome the aftermath of her and Peeta’s (Hutcherson) survival of the Hunger Games. She has become a symbol of rebellion across dystopian land of Panem, drawing increasing antagonism from President Snow (Sutherland). Her false romance with Peeta also has ramifications for her relationship with bestie Gale (Hemsworth). When she is forced back into the Hunger Games arena the stakes are even higher and the competition even more deadly.

As I mentioned above, this follows essentially the very same formula of The Hunger Games. Katniss heads back to the arena which this time round is even cooler, she exploits a potential relationship with Peeta for the cameras, a very drunk Woody Harrelson helps her out, and her dresses are cool. It is a little beyond me why this works so well but I have a few theories.

The first is that at the moment Lawrence can’t put a foot wrong. She has an Oscar, been in a comic-book movie, has a massive franchise, and is now America’s sweetheart. Don’t get me wrong she is a terrific actress, bringing much needed quality to the character of Katniss. Katniss herself is a kick-ass heroine who is a refreshing change from the delightfully hate-worthy Bella Swann, increasing her appeal. The depth of the character with Collin’s novel created for Lawrence is a blessing for the franchise. The messed up Katniss of the books completes a perfect transition to the silver screen. She doesn’t pop wisecracks and kill without second thought. The Games are psychologically and physically taxing; she just wants out.

Hutcherson conjures up a much more solid performance as Peeta this time round. Gary Ross portrayed him as a bit of a useless git but the sequel sees him as a much stronger character, conflicted by the blurred lines in his relationship with Katniss. The useless git title seems to pass on to Hemsworth’s Gale who unfortunately suffers a lot from his character missing any action in the first two films. Compared to Gale, Peeta seems a much stronger and well defined character, his sacrifices and motives much more visible.

The supporting cast is excellent. Banks, Harrelson, and Kravitz do well as the pit crew. Seymour-Hoffman is likable as Head Gamemaker Plutarch Heavensbee. Claflin proves his doubters wrong by perfectly embodying fan favorite Finnick. His bit of wit and charm in the midst of the sociological musings of the plot is a welcome addition, so to Jenna Malone as sexy tribute Johanna Mason.

Donald Sutherland is suitably icy as President Snow. His portrayal of disarming politeness hiding a vicious core is brings to life a character not explored so much in the novels. He’s no Voldemort, more a cross between Santa and Vladimir Putin, an embodiment of the greed and corruption of the Capitol.

The themes at the core of the film flow from this fictional dictatorship, perhaps the links to similar real-life regimes giving that believability which is so necessary. The socio-political commentary may be lost among the smooching and archery to the teen audience but those who want to go deeper can discovery a very thorough commentary on politics past, present, and quite probably future.

With Francis Lawrence at the helm gone are the frenzied Psycho-esque camera shots to cover the blood and violence. This is a grittier film, although the fact the Games are contested by mostly adult ex-victors makes for less provocative violence. The scene where Katniss gets covered in warty pustules will scar many young boys dreams of J-Law and the little strings of saliva visible in kissing scenes are less than erotic. But that’s why this film is so good, its a dystopian fantasy that feels like it could actually happen. The bar has been set very high for future dystopian YA films like The Maze Runner and Divergent to meet,

The Hunger Games: Catching Fire is the mot though provoking film ever made for teens, Its cast, plot, and script are top notch which can only equal a great film. The onus is now on Team Lawrence to reproduce the same level of quality in The Hunger Games: Mockingjay Part 1

SKYFALL (2012)

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007 (Daniel Craig) becomes M’s only ally as MI6 comes under attack, and a mysterious new villain emerges with a diabolical plan. James Bond’s latest mission has gone horribly awry, resulting in the exposure of several undercover agents, and an all-out attack on M16. Meanwhile, as M (Judi Dench) plans to relocate the agency, emerging Chairman of the Intelligence and Security Committee Mallory (Ralph Fiennes) raises concerns about her competence while attempting to usurp her position, and Q (Ben Whishaw) becomes a crucial ally. Now the only person who can restore M’s reputation is 007. Operating in the dark with only field agent Eve (Naomie Harris) to guide him, the world’s top secret agent works to root out an enigmatic criminal mastermind named Silva (Javier Bardem) as a major storm brews on the horizon. Albert Finney also stars in the 23rd instalment of the long-running spy series. The film was directed by Sam Mendes (American Beauty, Revolutionary Road) and shot by acclaimed cinematographer Roger Deakins (True Grit, The Reader, The Assassination of Jesse James by the Coward Robert Ford)

Director: Sam Mendes

Writers: Ian Fleming, Neal Purvis, Robert Wade, John Logan

Cast: Daniel Craig, Javier Bardem, Judi Dench, Berenice Marlohe, Naomie Harris

Producer: Michael G. Wilson, Barbara Broccoli

Box Office: US$1,108,561,013

Festivals and Awards: Won two Oscars, two BAFTAS, one Golden Globe, and numerous other prestigious awards.

Rotten Tomatoes: Sam Mendes brings Bond surging back with a smart, sexy, riveting action thriller that qualifies as one of the best 007 films to date.

Empire: Skyfall is pretty much all you could want from a 21st Century Bond: cool but not camp, respectful of tradition but up to the moment, serious in its thrills and relatively complex in its characters but with the sense of fun that hasn’t always been evident lately. One thing’s certain: James Bond will return…

Roger Ebert: Just as Christopher Nolan gave rebirth to the Batman movies in “The Dark Knight,” here is James Bond lifted up, dusted off, set back on his feet and ready for another 50 years.

guide2film:  Pretty dour at times and Craig never seems particularly charming as Bond but this film is saved by an excellent script and good performances from old hands like Dench and Bardem . It definitely males the improvements so obviously necessary in the previous film ‘Quantum of Solace’ but despite its improvement its still seems to lack the sort of pizzazz that separate good films and the great. The only female character of any value is ‘M’ and the other are Bond’s stereotypical flings while the  very British dialogue fails to excite. The action is good and despite my overt criticisms it is probably in third place on my espionage thrillers list behind Casino Royale and The Bourne Ultimatum.

It was always going to be a Thor: The Dark World triumph on this weeks guide2film Top 40, especially after it managed to place third last week before its domestic release. But as if to make doubly sure of this Thor 2 blew any opposition out of the water with over $80m in box office dough this weekend, which combined with its worldwide popularity makes it the biggest Marvel opening not to feature Robert Downey Jnr’s Iron Man. The incredible response to this slightly more serious version of the Asgardian prince means it will likely hold its ground until The Hunger Games: Catching Fire is released in a fortnight.

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In second, Jackass Presents: Bad Grandpa continued its rather inexplicable run of popularity to maintain second place. The film placed second on the box office charts also, a surprising result after pipping the more fancied adaptation of Orson Scott Card’s Ender’s Game. That particular film managed only a lowly 15th, a testament to the alarming lack of hype for such an expensive film. The film has actually grossed less than critical bomb After Earth which holds a 14% rating on Rotten Tomatoes compared 60%.

Third went to Gravity which is still impressing late in its domestic run as well as pulling in good numbers offshore. Sandra Bullock is now the subject of Oscar murmurs after her performance in the space disaster film which has now made close to 500 million dollars, a sum which is not finished rising.

Monster’s University, the well-received Pixar prequel, went to fourth, up one from the previous week after Ender’s Games’ nose dive. The Conjuring is still capitalising on its status of the Halloween film of 2013 in sixth and in seventh is the ever-present Star Trek: Into Darkness which recently won the Best Movie award at the Hollywood Awards.

Man of Steel was one of the years most anticipated releases and it is preparing for its DVD release, in fact its out in some place now, and rises to seventh on pre-releases. Rival Marvel hero Iron man 3 comes in eighth. Kiddies film Despicable Me 2 is now active on both the box office and home entertainment market and ranks ninth. Rounding off the Top 10 is critics darling 12 Years A Slave which is gradually drawing more than anticipated box office attention ahead of the big award nominations.

Free Birds and Last Vegas both outscored Ender’s Game at the box office but at 19th and 21st they failed to conquer the sci-fi’s superior critical consensus. The Hobbit: An Unexpected Journey scored in at 11th due to the popularity of its sequel and the release of an extended cut and another DVD debutante Grown Ups 2 managed a solid 26th despite being a critical bomb (that’s putting it nicely).

The only other debut is Blue Is The Warmest Colour, the controversial Palme d’Or winner which managed to make a dent in the box office big enough for a finish in 38th.

See below for the full Top 40:

  1. THOR: THE DARK WORLD       
  2. Jackass Presents: Bad Grandpa
  3. Gravity
  4. Monsters University
  5. The Conjuring
  6. Star Trek: Into Darkness
  7. Man of Steel
  8. Iron Man 3
  9. Despicable Me 2
  10. 12 Years A Slave
  11. The Hobbit: An Unexpected Journey
  12. Pacific Rim
  13. The Croods
  14. World War Z
  15. Ender’s Game
  16. Turbo
  17. Captain Phillips
  18. The Great Gatsby
  19. Last Vegas
  20. Cloudy With A Chance of Meatballs 2
  21. Free Birds
  22. About Time
  23. Rush
  24. The Heat
  25. Epic
  26. Grown Ups 2
  27. Insidious Chapter 2
  28. Percy Jackson: Sea of Monster
  29. The Hangover Part III
  30. White House Down
  31. Now You See Me
  32. Carrie
  33. The Counselor
  34. Dallas Buyers Club
  35. The Purge
  36. All Is Lost
  37. Enough Said
  38. Blue Is The Warmest Colour
  39. The Way, Way Back
  40. Planes

The trailer for Liam Neeson’s next thriller…which actually looks pretty good.

Video  —  Posted: November 8, 2013 in News, Trailers
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Its ironic…to the point of being just plain stupid that Thor: The Dark World has been released down here in little ol’ New Zealand while American fans wait impatiently that extra week. Also a little unfair that the primary audience, the culture which embraced the idea of superheroes, must wait that extra week to see a film which they more than anyone else have waited patiently for.

Many comic book geeks have spent the past week avoiding the internet to dodge spoilers and giveaways now widespread across the blogosphere. Some poor buggers have probably given in to the enormous temptation and read the Wikipedia page. I haven’t checked but the dodgy pirated copies are probably already out there and being viewed by those cheapskates to whom fuzzy graphics beats shelling out ten bucks.

Sure, Marvel are going to make a mint in the US. Perhaps the added anticipation will be a healthy thing. On previous occasions where this sort of situation has occurred I have driven my American friends crazy on Facebook, dropping little hints which they must then dwell on for a week to see if I was telling the truth. I have no problem with a good marketing strategy. At the present moment the Marvel/Disney partnership is the best marketing partnership in film.

What is wrong with a simple worldwide release. Potter did it and suffered no box office effects and the anticipation for Thor 2 has not been minimal. For American fans the $109m grossed overseas is a tantalising glimpse at just how good this film is but has also left them quite ludicrously open to spoilers which will all but destroy their enjoyment of the film if Natalie Portman’s Jane Foster doesn’t.

With equality at the forefront of public thinking at this time I’m tempted to start a campaign for film release equality. And its not just Americans suffering.

Gravity was released here in New Zealand a week after it was released domestically in America and in that one week we were teased by critics with endless streams of praise for Cuaron’s masterpiece. But in that one week, almost the whole plot and its conclusion was revealed to me by the Internet. Luckily for me Gravity was so good nothing could ruin my experience but my annoyance is at the fact there seems little real reason for this sort of timing which ticks more boxes under cons than pros.

It seems almost every self-respecting franchise is doing worldwide releases now. I say all for one and one for all. Its time to restore the surprise and unpredictability of cinema viewing for those who care for such things.

Thor: The Dark World (2013)

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Director: Alan Taylor

Cast: Chris Hemsworth, Natalie Portman, Christopher Ecclestone, Kat Dennings, Tom Hiddlestone, Anthony Hopkins, Idris Elba, Jaimie Alexander, Stellan Skarsgard

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Apparently it was inevitable. At some point Marvel would produce a stinker to thwart the progress made by their excellent work so far. So if it really was inevitable then why was Thor: The Dark World so enjoyable.

The film picks up where The Avengers left off. Loki (Tom Hiddlestone) is imprisoned on Asgard and Thor (Chris Hemsworth) is roaming The Nine Realms, keeping the peace. But that peace is disturbed when Thor’s human  sweetheart Jane Foster (Natalie Portman) awakens an ancient force, The Aether, and consequently the villainous Malekith (Former Doctor Who star Christopher Ecclestone) who wishes to harness its power. With the universe under threat Thor is forced to free Loki in a desperate attempt to save everything he loves.

The problem with Thor has always been the believability of his character within the Marvel Universe and once again the studio succeed in drawing attention away from these sorts of plot holes to focus on an enjoyable story.

The storyline is dynamic and far superior to the original Thor (2011), revelling in the glorious contrast between Thor and his twisted brother Loki, a relationship which dominates the whole film. Tom Hiddlestone is delightfully greasy as Loki and in my not so humble opinion the best on-screen super-villain (the Joker doesn’t count). The character really makes a case for not just killing off villains between films, Loki is brilliant as a constant worry to Thor, whether as more of an entertaining side-plot as he is in this film, or as the main event as he was in The Avengers.

Loki: After all this time, now you come to visit me, brother? Why? To mock?

Thor: I need your help. And I wish I could trust you…

Loki: If you did, you’d be the fool I always took you for

The film starts slowly but quickly picks up the pace with some neat action and special effects sequences. Bringing on the creative team from The Game of Thrones was a masterstroke as they know what the fan boys (and fan girls for equalities sake). Minus the XXX content of Thrones, the all out action and traditional combat make for an entertaining sci-fi.

Kudos to Marvel for showing that they can bring the superhero action into space ahead of the release of Guardians of the Galaxy next year. Asgard is beautifully done and ‘The Dark World’ appropriately desolate. The battle scenes on Asgard, hell the whole movie,  should be a example to JJ Abrams and the Star Wars Episode VII team, it blending sci-fi with fun, not taking itself to seriously.

Thor himself is well played by Chris Hemsworth who has done well to portray the increasing maturity of the prince. I do have a few gripes about Natalie Portman’s character Jane…she’s annoying. In the style of Margot Kidder as Lois Lane she is genuinely frustrating and her character lacks depth. I for one am on Team Sif (Jaimie Alexander), who seems positively badass, although I seemed to get a hint of a Sif-Loki thing. But hell, I even liked Kat Dennings as the super dumb science prodigy better than Portman’s  empty eye candy.

Malekith does his job and goes about his universe-destroying duties without really being memorable but is used to introduce many plot points for future films.

I’ll write another article discussing the direction Marvel has used Thor to steer its universe into to avoid spoilers. Lets just say there are plenty of Easter Eggs in there for those eagle-eyed enough to spot them.

So now the onus on poor old Captain America to keep up the Marvel magic. Bring It!!!!!!

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Jackass Presents: Bad Grandpa became the first film not at the No.1 Box Office place to top the guide2film Top 40 pouncing on weaker than expected box office results for Ender’s Game, which came in at a disappointing 4th. The adaptation of Orson Scott Card’s novel suffered from a lack of hype which left it floundering at the lower end of sci-fi opening weekend takings just one week before the US release of Thor: The Dark World. Thor managed a remarkable 3rd despite not being released to the US domestic market, banking $109m overseas and scoring positive reviews. Gravity stayed second to continue its magnificent run which is still going strong after 5 weeks on the market.

On the home entertainment front Monsters University reached 5th place on its DVD release carrying on the long running Pixar tradition of producing top quality animated films.. The Conjuring clocks in a sixth after a Halloween season release while another scary season favourite World War Z was in at 8th. Star Trek: Into Darkness comes in at 7th while Iron Man 3 is 9th, both are long-time features on tis chart and are showing few signs of letting up. And finally in tenth is Despicable Me 2 on a wave of popularity which sees it continuing to feature on the box office charts as well as DVD charts for pre-sale.

Other notable changes include The Hobbit: An Unexpected Journey rising to 13th after the release of the extended Blu-Ray cut and building hype for its sequel. Captain Phillips is down to a respectable 15th but failed to maintain the box office hype for a top 10 finish. Last Vegas is 16th on its opening weekend and fellow debutant Free Birds is 25th. Critics darling 12 Years A Slave is 20th, only lacking the hype to accompany its reviews. Man Of Steel has been pushed into the top 20 by pre-sale hype.

Check out all 40 below:

  1.  Jackass Presents: Bad Grandpa
  2. Gravity
  3. Thor: The Dark World
  4. Ender’s Game
  5. Monsters University
  6. The Conjuring
  7. Star Trek: Into Darkness
  8. World War Z
  9. Iron Man 3
  10. Despicable Me 2
  11. Pacific Rim
  12. The Croods
  13. The Hobbit: An Unexpected Journey
  14. Turbo
  15. Captain Phillips
  16. Last Vegas
  17. Cloudy With A Chance Of Meatballs 2
  18. Man Of Steel
  19. The Great Gatsby
  20. 12 Years A Slave
  21. This Is The End
  22. The Heat
  23. Krrish 3
  24. Carrie
  25. Free Birds
  26. Rush
  27. Epic
  28. Insidious: Chapter 2
  29. The Hangover Part III
  30. Now You See Me
  31. Oblivion
  32. Prisoners
  33. The Way, Way Back
  34. Mud
  35. The Purge
  36. Enough Said
  37. We’re The Millers
  38. Dallas Buyers Club
  39. The Internship
  40. All Is Lost

The Top 40 is based on box office performance by weekend and total gross, critical reception, internet hype/popularity and fan reception.

Video  —  Posted: November 5, 2013 in News, Trailers
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Bad Grandpa, a Johnny Knoxville prank-fest, finally knocked Gravity from the top of both our guide2film listings and the box office peak.

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It managed to bring in an outstanding $30m and avoid negative reviews to grab the No.1 position. Gravity had been top for three weeks and seems far from done, moving down only to 2nd place. DVD The Conjuring moved up two to be a surprising 3rd, mainly due to critical and commercial success which has made it the hottest horror of 2013. Captain Phillips went down to 4th after a less lucrative box office weekend while Cloudy With A Chance of Meatballs 2 bounced back into the Top 10 at 5th. Star Trek: Into Darkness also made a comeback of sorts from 14th to 6th after taking the Best Movie prize at the Hollywood Awards. Animated film The Croods marked its BluRay/DVD release with a place at 7th. Iron Man 3 plummeted from its 3rd place down to 8th although its remarkable run of popularity continues long after its release to home media. In its second week out on DVD Pacific Rim sits at 9 and in 10th is Despicable Me 2 due to the pre-sales for its general release.

Debutant The Counselor scored a disappointing 18th after poor box office and critical results despite being an awards season favourite. Interestingly, Cloudy With A Chance Of Meatballs, the original film, is enjoying an upswing in popularity after the release of its sequel and rose to 12th. 12 Years A Slave, a supposed awards juggernaut rose to 20th on just a limited release and could go higher on its general release this weekend.

The complete list is below

  1. Jackass Presents: Bad Grandpa
  2. Gravity
  3. The Conjuring
  4. Captain Phillips
  5. Cloudy With A Chance of Meatballs 2
  6. Star Trek: Into Darkness
  7. The Croods
  8. Iron Man 3
  9. Pacific Rim
  10. Despicable Me 2
  11. World War Z
  12. Carrie
  13. Cloudy With A Chance of Meatballs
  14. The Great Gatsby
  15. This Is The End
  16. The Heat
  17. Turbo
  18. The Counselor
  19. The Hangover Part III
  20. 12 Years A Slave
  21. Rush
  22. Insidious: Chapter 2
  23. Now You See Me
  24. Enough Said
  25. Prisoners
  26. The Way, Way Back
  27. Escape Plan
  28. Don Jon
  29. The Internship
  30. The Purge
  31. We’re The Millers
  32. All Is Lost
  33. After Earth
  34. White House Down
  35. R.I.P.D
  36. The Fifth Estate
  37. Girl Most Likely
  38. Runner Runner
  39. Baggage Claim
  40. I’m In Love With A Church Girl